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Foreword: Acts of Translation | ||
Acknowledgments | ||
Introduction: A New Generation of Louisiana Writers | ||
Louisiana Narratives and Folk Traditions | ||
Living on the Edge in Rebecca Wells's Little Altars Everywhere | 3 | |
Food and Foodways in Michael Lee West's She Flew the Coop: A Novel Concerning Life, Sex, and Recipes in Limoges, Louisiana | 11 | |
New Orleans Mothers and Sons: Familial Relationships in John Kennedy Toole's The Neon Bible | 19 | |
"This Is the Kingfish": Huey Long's Autobiography, Every Man a King | 27 | |
Locating Community in Contemporary Southern Fiction: A Cultural Analysis of Robert Olen Butler's A Good Scent from a Strange Mountain | 37 | |
The Spell of the Swampland: The Tales of Shirley Ann Grau | 47 | |
"All Our Stories Begin Here": Heroism and Sense of Place in James Lee Burke's Dave Robicheaux Mystery Series | 57 | |
From Huey Long to Willie Stark: Louisiana Politics in All the King's Men | 67 | |
Paganism, Papism, Protestantism, and the New Southern Religion | ||
Postmodernism Goes South: John Dufresne's Louisiana Power and Light | 77 | |
Fiction Is My Religion: Conversations with John Dufresne | 87 | |
Invoking Generational Demons: Orality and Catholicism in The Witching Hour | 99 | |
The Complicated Catholicism of Andre Dubus | 107 | |
Lady of the Earth and Moon: Goddess Imagery and the Ya-Yas | 115 | |
"Black cat bone and snake wisdom": New Orleanian Hoodoo, Haitian Voodoo, and Rereading Hurston's Their Eyes Were Watching God | 123 | |
Three Castes of Race and Gender | ||
Awakening the "Essence of Blue": The Emerging Southern Women of Kate Chopin and Moira Crone | 143 | |
Equality for African-American (Wo)Men: Quests for Masculinity in Ernest Gaines's Bloodline | 153 | |
"Against Regulations": Southern Women in the Fiction of Rebecca Wells | 163 | |
Ellen Gilchrist's Heroines: The Scourge of New Orleans | 173 | |
Rape and Redemption: The Revision of "Colored" Female Chastity in Pauline Hopkins's Contending Forces and Anne Rice's The Feast of All Saints | 183 | |
Bloodlines: Creoles of Color and Identity in the Fiction of Ernest Gaines | 193 | |
Selected Bibliography | 203 | |
Index | 207 | |
About the Editors and Contributors | 215 |
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Add Songs Of The New South, Vol. 8, The works of Louisiana authors differ from the works of other Southern writers in significant ways. Strong French, Spanish, Native American, and African American traditions shaped Louisiana culture, and Louisiana writers reflect that cultural diversity in, Songs Of The New South, Vol. 8 to the inventory that you are selling on WonderClubX
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Add Songs Of The New South, Vol. 8, The works of Louisiana authors differ from the works of other Southern writers in significant ways. Strong French, Spanish, Native American, and African American traditions shaped Louisiana culture, and Louisiana writers reflect that cultural diversity in, Songs Of The New South, Vol. 8 to your collection on WonderClub |