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Book Categories |
| Preface | ||
| 1 | Features of Yoruba Trickster Tale Aesthetics | 1 |
| 2 | The Trickster as Folk Hero: Aesthetics of Negation | 27 |
| 3 | The Trickster as Villain: Aesthetics of Affirmation | 55 |
| 4 | Current Trends in the Use of Trickster Tale Discourse | 93 |
| 5 | Conclusion | 121 |
| Notes | 125 | |
| Selected Bibliography | 129 | |
| Index | 135 |
| Price | Condition | Delivery | Seller | Action |
| $101.95 | Digital |
| WonderClub |
Rebecca Smith
reviewed Folk Poetics, Vol. 162 on November 16, 2013
Folk Poetics, Vol. 162
A controversial work...it is difficult to accept that this great distinguished author (camara Laye) might not really have written a classic like The radiance of the King; then how is it that the African ambience is so convincingly enacted in the work despite the kafkaesque background? Adele King as usual does her research very well - but one is still left with lingering feeling of disbelief; even anguish...
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Add Folk Poetics, Vol. 162, Of all the different sub-genres of oral prose fiction developed by the Yoruba of Nigeria, the trickster tale is the most popular, especially among the nonruling stratum of society. Sekoni describes and explains literally what makes the trickster tale a tr, Folk Poetics, Vol. 162 to the inventory that you are selling on WonderClubX
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Add Folk Poetics, Vol. 162, Of all the different sub-genres of oral prose fiction developed by the Yoruba of Nigeria, the trickster tale is the most popular, especially among the nonruling stratum of society. Sekoni describes and explains literally what makes the trickster tale a tr, Folk Poetics, Vol. 162 to your collection on WonderClub |