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Acknowledgments | ||
1 | Generationalism and Collective Autobiography | 3 |
2 | An American Generational Autobiography: Collective Identity in Malcolm Cowley's Exile's Return | 14 |
Cowley and Earlier Generational Thought | 17 | |
Generational Identity and the Emersonian Tradition | 20 | |
Generational Identity and Marxism | 24 | |
The Structure of Generational Conversion | 27 | |
3 | Generational Autobiography as Annunciatory Narrative | 37 |
Annunciatory Narrative as Manifesto: Students for a Democratic Society and The Port Huron Statement | 40 | |
Annunciatory Narrative as Myth: Abbie Hoffman's Revolution for the Hell of It | 49 | |
Annunciatory Narrative as Advertisement: Jerry Rubin's Do It! and We Are Everywhere | 58 | |
Annunciatory Narrative as Melodrama: Tom Hayden's Trial | 67 | |
Annunciatory Narrative as Prophecy: Michael Rossman's The Wedding within the War | 72 | |
4 | Generational Autobiography as Reactive Narrative | 83 |
Generational Disfigurement: Dotson Rader's I Ain't Marchin' Anymore! and Blood Dues | 90 | |
New Age Renunciation and the End of History: Raymond Mungo's Famous Long Ago and Total Loss Farm | 107 | |
Psychological Renunciation: Jane Alpert's Growing Up Underground | 118 | |
The God That Failed Revisited: John Bunzel's Political Passages and Peter Collier and David Horowitz's Second Thoughts and Destructive Generation | 128 | |
5 | Generational Autobiography as Elegiac Narrative | 151 |
Generational Geriatrics: Joyce Maynard's Looking Back | 156 | |
A Postrevolution Divorce Story: Michael Rossman's New Age Blues | 165 | |
Generational Nightmares: David Harris' Dreams Die Hard | 170 | |
Exile's Return Revisited: Tom Hayden's Reunion | 177 | |
A Tale of Two Sixties: Todd Gitlin's The Sixties | 186 | |
Epilogue: Autobiography as Generational Dialogue | 197 | |
Notes | 215 | |
Bibliography | 234 | |
Index | 243 | |
Titles in Wisconsin Studies in American Autobiography | 265 |
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