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Acknowledgments | ||
Introduction | 1 | |
1 | Imperial Frame: Film Industry and Colonial Representation | 20 |
2 | Split Screens: La Maison du Maltais as Text and Document | 30 |
3 | Whither the Colonial Question? Jean Renoir's The River | 51 |
4 | Regarding Rouch: The Recasting of West African Colonial Culture | 65 |
5 | Le Colonial Feminin: Women Directors Interrogate French Cinema | 80 |
6 | Empire as Myth and Memory | 103 |
7 | Filmic Memorial and Colonial Blues: Indochina in Contemporary French Cinema | 120 |
8 | Third Cinema or Third Degree: The "Rachid System" in Serge Meynard's L'Oeil au beurre noir | 147 |
9 | Decolonizing Images: Soleil O and the Cinema of Med Hondo | 173 |
10 | Post-Tricolor African Cinema: Toward a Richer Vision | 188 |
11 | Race Matters and Matters of Race: Interracial Relationships in Colonial and Postcolonial Films | 229 |
About the Authors | 249 | |
Index | 253 |
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Add Cinema, Colonialism, Postcolonialism, In this first major study of French colonial and postcolonial cinema, Dina Sherzer compiles essays by some of the foremost scholars on the subject who interrogate and analyze the realities behind the images of the nation's past and present. Through an exa, Cinema, Colonialism, Postcolonialism to the inventory that you are selling on WonderClubX
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Add Cinema, Colonialism, Postcolonialism, In this first major study of French colonial and postcolonial cinema, Dina Sherzer compiles essays by some of the foremost scholars on the subject who interrogate and analyze the realities behind the images of the nation's past and present. Through an exa, Cinema, Colonialism, Postcolonialism to your collection on WonderClub |