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Acknowledgments | ||
Introduction: Liquid Windows: Kureishi as Storyteller | 1 | |
1 | From Bromley to Baron's Court: Plays, Early Prose, and English Tradition | 18 |
2 | Films with Frears: My Beautiful Laundrette and Sammy and Rosie Get Laid | 39 |
3 | Author: The Buddha of Suburbia | 62 |
4 | Auteur: London Kills Me | 85 |
5 | Adapter: The Buddha of Suburbia on Film | 105 |
6 | Author Again: The Black Album | 121 |
7 | Author in Process: Love in a Blue Time | 148 |
8 | We Are Family: Lovers and Love in Kureishi | 176 |
9 | Over the Rainbow: Immigrant Dreams | 195 |
10 | Postcolonial Identities: Redefined Nationalism | 216 |
11 | Kureishi's Storytelling: Liquid Windows | 240 |
Notes | 259 | |
Appendix | 267 | |
Credits | 271 | |
Bibliography | 281 | |
Index | 287 |
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Add Hanif Kureishi, Hanif Kureishi is a proper Englishman. Almost. So observes biographer Kenneth Kaleta. Well known for his films My Beautiful Laundrette and Sammy and Rosie Get Laid, the Anglo-Asian screenwriter, essayist, and novelist has become one of the leading portr, Hanif Kureishi to the inventory that you are selling on WonderClubX
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Add Hanif Kureishi, Hanif Kureishi is a proper Englishman. Almost. So observes biographer Kenneth Kaleta. Well known for his films My Beautiful Laundrette and Sammy and Rosie Get Laid, the Anglo-Asian screenwriter, essayist, and novelist has become one of the leading portr, Hanif Kureishi to your collection on WonderClub |