Invention of Hysteria: Charcot and the Photographic Iconography of the Salpetriere Book

	Acknowledgments
	Principal Works Cited
	Argument
I	Spectacular Evidence	1
1	Outbreaks	3
2	Clinical Knowledge	13
3	Legends of Photography	29
4	A Thousand Forms, In None	67
II	Charming Augustine	83
5	Auras	85
6	Attacks and Exposures	115
7	Repetitions, Rehearsals, Staging	175
8	Show-Stopper	259
App. 1	The "Living Pathological Museum"	281
App. 2	Charcot's Clinical Lectures	281
	App. 3: Consultation	282
App. 4	Preface to the Photographic Journal of the Hospitals of Paris	283
App. 5	Preface to the Iconographie photographique de la Salpetriere (vol. I)	283
App. 6	Preface to the Iconographie photographique de la Salpetriere (vol. II)	284
App. 7	The Photographic Platform, Headrest, and Gallows	285
App. 8	The "Observation" and the Photograph at the Salpetriere	286
App. 9	The "Photographic Card" at the Salpetriere	287
App. 10	Technique of Forensic Photography	287
App. 11	The Portrait's Veil, the Aura	289
App. 12	The "Auracular" Self-Portrait	290
App. 13	The Aura Hysterica (Augustine)	291
App. 14	Explanation of the Synoptic Table of the Great Hysterical Attack	291
App. 15	The "Scintillating Scotoma"	292
App. 16	Cure or Experimentation?	293
App. 17	Gesture and Expression: Cerebral Automatism	293
App. 18	A Tableau Vivant of Cataleptics	294
App. 19	Provoked Deliria: Augustine's Account	295
App. 20	Theatrical Suggestion	297
App. 21	Somnambular Writing	298
App. 22	How Far Does Hypnotic Suggestion Go?	299
	Notes	303
	Bibliography	349
	Index	369