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The Touring Package: Programs and Credits | ||
Acknowledgments | ||
Introduction: Oscar Micheaux and Race Movies of the Silent Period | ||
1 | Black Silence and the Politics of Representation | 3 |
2 | The Notion of Treatment: Black Aesthetics and Film, based on an interview with Peter Hessli and additional discussions with Pearl Bowser | 11 |
3 | From Shadows 'n Shufflin' to Spotlights and Cinema: The Lafayette Players, 1915-1932 | 19 |
4 | The African-American Press and Race Movies, 1909-1929 | 34 |
5 | Oscar Micheaux's Within Our Gates: The Possibilities for Alternative Visions | 53 |
6 | Within Our Gates: From Race Melodrama to Opportunity Narrative | 67 |
7 | Oscar Micheaux's The Symbol of the Unconquered: Text and Context | 67 |
8 | To Redream the Dreams of White Playwrights: Reappropriation and Resistance in Oscar Micheaux's Body and Soul | 97 |
9 | Black Patriarch on the Prairie: National Identity and Black Manhood in the Early Novels of Oscar Micheaux | 132 |
10 | Telling White Lies: Oscar Micheaux and Charles W. Chesnutt | 147 |
11 | Planes, Trains, and Automobiles: The Flying Ace, the Norman Company, and the Micheaux Connection | 161 |
12 | Colored Players Film Corporation | |
An Alternative to Micheaux | 178 | |
12 | Lost, Then Found: The Wedding Scene from The Scar of Shame (1929) | 188 |
13 | Richard D. Maurice and the Maurice Film Company | 190 |
14 | Cinematic Foremothers: Zora Neale Hurston and Eloyce King Patrick Gist | 195 |
App. A | The Reemergence of Oscar Micheaux: A Timeline and Bibliographic Essay | 211 |
App. B | An Oscar Micheaux Filmography: From the Silents through His Transition to Sound, 1919-1931 | 228 |
App. C | A Colored Players Film Corporation Filmography | 278 |
App. D | Norman Film Manufacturing Company: Production and Theatrical Release Dates for All-Black-Cast Films | 286 |
Notes | 289 | |
Bibliography | 329 | |
About the Contributors | 341 | |
Credits | 345 | |
Index | 347 |
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Add Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era, Oscar Micheaux-the most prolific African-American filmmaker to date and a filmmaking giant of the silent period-has finally found his rightful place in film history. Both artist and showman, Micheaux stirred controversy in his time as he confronted issues, Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era to the inventory that you are selling on WonderClubX
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Add Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era, Oscar Micheaux-the most prolific African-American filmmaker to date and a filmmaking giant of the silent period-has finally found his rightful place in film history. Both artist and showman, Micheaux stirred controversy in his time as he confronted issues, Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era to your collection on WonderClub |