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Acknowledgments | ||
Introduction | ||
1 | Avant-Garde and Mass Culture: Mapping the Dialectic | 1 |
2 | The American Underground as a Cultural Formation: Practices, Institutions, and Ideologies | 52 |
3 | The 1960s Underground as Political Postmodernism: From the New Sensibility to Gay Cultural Activism | 87 |
4 | Pop, Queer, or Fascist? The Ambiguity of Mass Culture in Kenneth Anger's Scorpio Rising | 141 |
5 | Drag, Rubble, and "Secret Flix": Jack Smith's Avant-Garde against the Lucky Landlord Empire | 181 |
6 | The Artist as Advertiser: Stardom, Style, and Commodification in Andy Warhol's Underground Films | 214 |
Conclusions | 260 | |
Notes | 265 | |
Filmography | 317 | |
Bibliography | 321 | |
Index | 345 |
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Add Bike Boys, Drag Queens, And Superstars, This comprehensive, insightful study demonstrates that 1960s New York underground film fused 'artistic innovation and the exploration of everyday life' and distinctively interacted with mass culture.' —Choice ... thoroughly researched [and] engaging, Bike Boys, Drag Queens, And Superstars to the inventory that you are selling on WonderClubX
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Add Bike Boys, Drag Queens, And Superstars, This comprehensive, insightful study demonstrates that 1960s New York underground film fused 'artistic innovation and the exploration of everyday life' and distinctively interacted with mass culture.' —Choice ... thoroughly researched [and] engaging, Bike Boys, Drag Queens, And Superstars to your collection on WonderClub |