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List of IllustrationsIntroduction1. The Idea of the Fabrication2. The 3 Standard Stoppages in the Context of the Large Glass3. The 3 Standard Stoppages as Paintings4. 1936: Duchamp Transforms the Painting Into an Experimental Setup5. Humorous Application of Non-Euclidean Geometry6. The Crisis of the Scientific Concept of Truth7. Pataphysics, Chance, and the Aesthetics of the Possible8. Radical IndividualismNotesBibliographyIndex
Columbia University Press
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Add Duchamp and the Aesthetics of Chance: Art as Experiment, Marcel Duchamp is often viewed as an artist-engineer-scientist, a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincaré. Yet a complete portrait of Duchamp and his multiple influences draws a diff, Duchamp and the Aesthetics of Chance: Art as Experiment to the inventory that you are selling on WonderClubX
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Add Duchamp and the Aesthetics of Chance: Art as Experiment, Marcel Duchamp is often viewed as an artist-engineer-scientist, a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincaré. Yet a complete portrait of Duchamp and his multiple influences draws a diff, Duchamp and the Aesthetics of Chance: Art as Experiment to your collection on WonderClub |