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List of Illustrations ix
Preface x
Acknowledgements xiii
Introduction 1
Time and space 4
Masochism 4
Affect 6
Agency 8
Part I Approaches to Digital Culture
1 A Conceptual History 19
Alternating culture and counterculture 22
Whose culture is it anyway? 24
Film and the real: Cinema as mindset 26
Technology and the public sphere 31
2 Mobile Affect 36
Absent presence and prosthetic affect 38
The attention economy 41
The teenage affect 44
Urban metabolism 47
Conceptual spaces of conflict and resolution 52
The technological affect 55
Latencies and genealogies 58
3 Affective Networks 61
Agency and remediation 62
Hybrid subjectivity 67
Monstration and the genealogical principle 69
Approaching hybrid agency 73
Networks, hybrids and the assemblage 78
Summary 83
Part II Cinematic Perspectives
4 Classical Hollywood's Mature Technology 95
Cinematic affect 96
Mature technology 99
The machine in the ghost: Film as anthropology 103
An endogenous reading: Latent agency 110
An exogenous reading: Cultural transposition 114
5 Stars and Avatars 120
The corporeal screen 121
The actor-user and the machinic assemblage 123
Technology and the perversity of users 128
Masochistic delusion: Deleuzian masochism 131
The avatar's disavowal of gender 136
Assembling desire 141
Plugging into the assembly (on)line 144
The abject assemblage 150
Assembling the uncanny 152
6 Film and Hybridity 158
Cinema, actor networks and double births 159
The 'real' Norma Desmond 161
Enunciation and concentric discourses 166
Producers and users at the consumption junction 169
A producer-user's script 171
Masochism and monstration 175
The subject and prosthetic affect 176
Actor networks and affect 179
Part III Consorting with the Machine
7 Celebrating Metamorphosis 189
Machines of celebrity 190
Machines of legal subjectivity 193
Machines of the networked assemblage 196
Machines to consort with 199
Notes 203
Bibliography 226
Index 236
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Add Cinematic Perspectives on Digital Culture: Consorting with the Machine, By 1920 one of the most recognised faces on the planet belonged to Charlie Chaplin, confirming the influence of a powerful new medium. Today's film fans turn to Facebook and Twitter to follow their heroes. While the ubiquitous smart phone enmeshes consume, Cinematic Perspectives on Digital Culture: Consorting with the Machine to the inventory that you are selling on WonderClubX
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Add Cinematic Perspectives on Digital Culture: Consorting with the Machine, By 1920 one of the most recognised faces on the planet belonged to Charlie Chaplin, confirming the influence of a powerful new medium. Today's film fans turn to Facebook and Twitter to follow their heroes. While the ubiquitous smart phone enmeshes consume, Cinematic Perspectives on Digital Culture: Consorting with the Machine to your collection on WonderClub |