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British Avant-Garde Theatre Book

British Avant-Garde Theatre
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British Avant-Garde Theatre, This book explores an under-researched body of work from the early decades of the twentieth century, connecting plays, performances and practitioners together in dynamic dialogues. Moving across national, generational and social borders, the book reads ex, British Avant-Garde Theatre
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  • British Avant-Garde Theatre
  • Written by author Claire Warden
  • Published by Palgrave Macmillan, 6/19/2012
  • This book explores an under-researched body of work from the early decades of the twentieth century, connecting plays, performances and practitioners together in dynamic dialogues. Moving across national, generational and social borders, the book reads ex
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Authors

List of Illustrations ix

Acknowledgements x

A Note about Illustrations xi

Introduction: A British Theatrical Avant-Garde 1

1 Structure: The Fragmented and the Episodic 22

Performing current affairs: the Living Newspaper 25

Expressionism and Stationendrama 31

Montage and cinematic editing 40

Variety theatre and popular entertainment 46

'Time, gentlemen, please': naturalism and beyond 48

Questioning conclusions 53

2 Staging: Platforms and Constructions 55

Former theatrical traditions and the contemporary political space 57

'Precursors of great promise' 61

Using the platform 63

Construction and projection 66

New lighting innovations 71

The new stage: cages and prisons 75

Limited experiment? 82

3 Language: Disturbing Words 85

Poetry in theatre: a British tradition 86

Poetry, drama and linguistic style 91

Towards a political poetic 97

The poetics of declamation 104

Dialect, accent and vernacular speech 106

Non-communicative language 109

Speaking to an audience 112

4 Character: The Screaming Man and the Talking Feet 115

Ancient modes reinterpreted 116

Isolation: psychoanalytical science and the fragmented mind 120

Modem humanity: the nameless, the dead and the non-human 127

Animals, mannequins and robots: new characters for the modern stage 134

Redeeming the human 140

5 Crossing Genres: Movement and Music 147

Crossing genres: music, dance and the dramatic form 148

Dance, movement and the modern world 152

Dalcroze's eurhythmies to Meyerhold's biomechanics 154

Modem dance: Theatre Workshop's experiments with Laban 158

The Dance of Death: the influence of ballet 162

Rhythms, beats and drumming 168

'Incidental' theatrical music 171

The creation of critical dialogues 174

Conclusion: A British Theatrical Avant-Garde? 176

Notes 183

Bibliography 195

Index 210


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British Avant-Garde Theatre, This book explores an under-researched body of work from the early decades of the twentieth century, connecting plays, performances and practitioners together in dynamic dialogues. Moving across national, generational and social borders, the book reads ex, British Avant-Garde Theatre

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British Avant-Garde Theatre, This book explores an under-researched body of work from the early decades of the twentieth century, connecting plays, performances and practitioners together in dynamic dialogues. Moving across national, generational and social borders, the book reads ex, British Avant-Garde Theatre

British Avant-Garde Theatre

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British Avant-Garde Theatre, This book explores an under-researched body of work from the early decades of the twentieth century, connecting plays, performances and practitioners together in dynamic dialogues. Moving across national, generational and social borders, the book reads ex, British Avant-Garde Theatre

British Avant-Garde Theatre

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