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Early Twentieth-century Frontier Dramas on Broadway: Situating the Western Experience in American Performing Arts Book

Early Twentieth-century Frontier Dramas on Broadway: Situating the Western Experience in American Performing Arts
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Early Twentieth-century Frontier Dramas on Broadway: Situating the Western Experience in American Performing Arts, Frontier dramas were among the most popular and successful of early-twentieth-century Broadway type plays. The long runs of dramas such as Augustus Thomas's Arizona (1900), Owen Wister and Kirke La Shelle's The Virginian (1904), Edwin Milton, Early Twentieth-century Frontier Dramas on Broadway: Situating the Western Experience in American Performing Arts
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  • Early Twentieth-century Frontier Dramas on Broadway: Situating the Western Experience in American Performing Arts
  • Written by author Richard Wattenberg
  • Published by Palgrave Macmillan, 5/24/2011
  • Frontier dramas were among the most popular and successful of early-twentieth-century Broadway type plays. The long runs of dramas such as Augustus Thomas's Arizona (1900), Owen Wister and Kirke La Shelle's The Virginian (1904), Edwin Milton
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PART I: THE AXES OF ANALYSIS: FRONTIER WESTERN DISCOURSE AND THEATRE PRACTICE
• The Frontier Western Discourse at the Turn of the Nineteenth to the Twentieth Century
• The Turn-of-the-Century American Theatre Context
• PART II: THE PLAYS
• Discipline and Spontaneity: Clyde Fitch’s The Cowboy and the Lady and Augustus Thomas’s Arizona
• Drama from Novels: John Ermine of the Yellowstone and The Virginian
• Variations on the Frontier Myth: Edward Milton Royle’s The Squaw Man and David Belasco’s The Girl of the Golden West
• From Melodrama to Realism: William Vaughn Moody’s The Great Divide and Rachel Crothers’s The Three of Us


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Early Twentieth-century Frontier Dramas on Broadway: Situating the Western Experience in American Performing Arts, Frontier dramas were among the most popular and successful of early-twentieth-century Broadway type plays. The long runs of dramas such as Augustus Thomas's <i>Arizona</i> (1900), Owen Wister and Kirke La Shelle's <i>The Virginian</i> (1904), Edwin Milton, Early Twentieth-century Frontier Dramas on Broadway: Situating the Western Experience in American Performing Arts

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Early Twentieth-century Frontier Dramas on Broadway: Situating the Western Experience in American Performing Arts, Frontier dramas were among the most popular and successful of early-twentieth-century Broadway type plays. The long runs of dramas such as Augustus Thomas's <i>Arizona</i> (1900), Owen Wister and Kirke La Shelle's <i>The Virginian</i> (1904), Edwin Milton, Early Twentieth-century Frontier Dramas on Broadway: Situating the Western Experience in American Performing Arts

Early Twentieth-century Frontier Dramas on Broadway: Situating the Western Experience in American Performing Arts

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Early Twentieth-century Frontier Dramas on Broadway: Situating the Western Experience in American Performing Arts, Frontier dramas were among the most popular and successful of early-twentieth-century Broadway type plays. The long runs of dramas such as Augustus Thomas's <i>Arizona</i> (1900), Owen Wister and Kirke La Shelle's <i>The Virginian</i> (1904), Edwin Milton, Early Twentieth-century Frontier Dramas on Broadway: Situating the Western Experience in American Performing Arts

Early Twentieth-century Frontier Dramas on Broadway: Situating the Western Experience in American Performing Arts

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