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Translator's Introduction
1. Absolute Music as an Esthetic Paradigm
2. The History of the Term and Its Vicissitudes
3. A Hermeneutic Model
4. The Esthetics of Feeling and Metaphysics
5. Esthetic Contemplation as Devotion
6. Instrumental Music and Art-Religion
7. Musical Logic and Speech Character
8. On the Three Cultures of Music
9. The Idea of the Musically Absolute and the Practice of Program Music
10. Absolute Music and Poésie Absolue
Notes Index
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