Unfinished Music Book

Preface
I: First Things
1. Language and the Beginnings of Creation
Preamble
A Rhetoric of Sonata
Sketches and the Improvisatoyr
Fragments/Patrimonies
II: Emanuel Bach and the Allure of the Irrational
2. Carl Philip Emanuel Bach and the Aesthetics of Patricide
3. The Ends of Ver:anderung
4. Late Works
Kenner and Liebhaber
A Last Sonata
5. Probest:uck
6. Diderot's Paradoxe and Emanuel Bach's Empfindungen
III: Between Enlightenment and Romance
7. Haydn's Chaos and Herder's Logos
8. Beethoven and the Romance of Creation
Beethoven's Sketches and Shakespeare's Lovers
Sketching the Improvisatory
The Limits of Improvisation
IV: Beethoven: Confronting the Past
9. Cadenza contra Text
10. Opus 90: In Search of Emanuel Bach
11. Adagio espressivo: Opus 109 as Radical Dialectic
12. Lisch aus, mein Licht: Song, Fugue and the Symptoms of A Late Style
V:Fragments
13. Toward an Epistemology of Fragment
14. Reliquiel
VI: Death Masks
15. Walter Benjamin and the Apprehending of Beauty