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| Contributors | ||
| 1 | Introduction | 3 |
| 2 | A Theoretical Introduction to the Markedness Model | 18 |
| 3 | Implicatures of Styleswitching in the Narrative Voice of Cormac McCarthy's All the Pretty Horses | 41 |
| 4 | Marked Grammatical Structures: Communicating Intentionality in The Great Gatsby and As I Lay Dying | 62 |
| 5 | Markedness and References to Characters in Biblical Hebrew Narratives | 89 |
| 6 | Literariness, Markedness, and Surprise in Poetry | 101 |
| 7 | Villainous Boys: On Some Marked Exchanges in Romeo and Juliet | 124 |
| 8 | Markedness and Styleswitching in Performances by African American Drag Queens | 139 |
| 9 | Styleswitching in Southern English | 162 |
| 10 | Marked Versus Unmarked Choices on the Auto Factory Floor | 178 |
| 11 | "Not Quite Right": Second-Language Acquisition and Markedness | 195 |
| Index | 215 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
william knapp
reviewed Codes and Consequences: Choosing Linguistic Varieties on October 10, 2014
Codes and Consequences
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Add Codes and Consequences: Choosing Linguistic Varieties, This collection of essays considers how messages of intentionality are conveyed by choosing one style of English over another. While these choices are not necessarily conscious, implicit in the communicative competence of a speaker, performer, or writer i, Codes and Consequences: Choosing Linguistic Varieties to the inventory that you are selling on WonderClubX
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Add Codes and Consequences: Choosing Linguistic Varieties, This collection of essays considers how messages of intentionality are conveyed by choosing one style of English over another. While these choices are not necessarily conscious, implicit in the communicative competence of a speaker, performer, or writer i, Codes and Consequences: Choosing Linguistic Varieties to your collection on WonderClub |
