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Book Categories |
Acknowledgements | vii | |
List of plates | x | |
List of illustrations | xi | |
Introduction | 1 | |
1 | The camera obscura | 4 |
2 | The discovery of Vermeer's use of the camera | 25 |
3 | Who taught Vermeer about optics? | 44 |
4 | A room in Vermeer's house? | 59 |
5 | Reconstructing the spaces in Vermeer's paintings | 73 |
6 | The riddle of the Sphinx of Delft | 101 |
7 | More evidence, from rebuilding Vermeer's studio | 118 |
8 | Arguments against Vermeer's use of the camera | 135 |
9 | The influence of the camera on Vermeer's painting style | 156 |
Appendices | ||
A. | Architectural features appearing in Vermeer's interiors | 167 |
B. | Measurements of Vermeer's room and furniture | 171 |
Notes | 177 | |
Further reading | 199 | |
Picture credits | 201 | |
Index | 204 |
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Add Vermeer's camera, Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as photographic. Indeed, many wonder if Vermeer employed a ca, Vermeer's camera to the inventory that you are selling on WonderClubX
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Add Vermeer's camera, Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as photographic. Indeed, many wonder if Vermeer employed a ca, Vermeer's camera to your collection on WonderClub |