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Introduction | xi | |
Bibliography | xxvii | |
Suggestions for Further Reading | xxix | |
From Oak and Ivy (1893) | ||
A Banjo Song | 3 | |
A Career | 5 | |
Columbian Ode | 6 | |
James Whitcomb Riley | 7 | |
Life | 8 | |
Lullaby | 9 | |
Melancholia | 10 | |
My Sort o' Man | 12 | |
Ode to Ethiopia | 14 | |
Sympathy | 15 | |
The Ol' Tunes | 16 | |
The Seedling | 18 | |
From Majors and Minors (1895) | ||
After the Quarrel | 23 | |
Alice | 24 | |
Ballad | 24 | |
By the Stream | 25 | |
The Change Has Come | 26 | |
Changing Time | 26 | |
The Colored Soldiers | 27 | |
A Corn-Song | 29 | |
Dawn | 31 | |
Dirge | 31 | |
Disappointed | 32 | |
Ere Sleep Comes Down to Soothe the Weary Eyes | 33 | |
Frederick Douglass | 35 | |
A Frolic | 37 | |
He Had His Dream | 38 | |
Hymn | 38 | |
Invitation to Love | 39 | |
Ione | 40 | |
The Master-Player | 48 | |
Ode for Memorial Day | 48 | |
One Life | 49 | |
The Poet and His Song | 50 | |
A Prayer | 52 | |
Retort | 52 | |
Ships That Pass in the Night | 53 | |
A Summer's Night | 53 | |
We Wear the Mask | 54 | |
To Pfrimmer | 54 | |
From Lyrics of Lowly Life (1896) | ||
Accountability | 59 | |
An Ante-Bellum Sermon | 60 | |
The Corn-Stalk Fiddle | 62 | |
The Lawyers' Ways | 64 | |
Religion | 65 | |
After a Visit | 65 | |
The Spellin'-Bee | 66 | |
Keep A-Pluggin' Away | 70 | |
An Easy-Goin' Feller | 71 | |
The Wooing | 72 | |
When de Co'n Pone's Hot | 73 | |
Discovered | 75 | |
The Delinquent | 76 | |
A Confidence | 77 | |
The Party | 79 | |
From Poems of Cabin and Field (1899) | ||
The Deserted Plantation | 87 | |
Little Brown Baby | 88 | |
Chrismus Is A-Comin' | 89 | |
From Lyrics of the Hearthside (1899) | ||
Love's Apotheosis | 93 | |
The Paradox | 94 | |
The Right to Die | 95 | |
Behind the Arras | 96 | |
A Hymn | 96 | |
Dream Song I | 97 | |
Dream Song II | 97 | |
The King Is Dead | 98 | |
Theology | 99 | |
Resignation | 99 | |
Thou Art My Lute | 99 | |
The Phantom Kiss | 100 | |
The Crisis | 101 | |
Alexander Crummell Dead | 102 | |
Sonnet | 102 | |
Misapprehension | 103 | |
For the Man Who Fails | 103 | |
Harriet Beecher Stowe | 104 | |
The Warrior's Prayer | 105 | |
The Voice of the Banjo | 106 | |
A Choice | 107 | |
The Real Question | 107 | |
Jilted | 108 | |
Chrismus on the Plantation | 109 | |
Foolin' wid de Seasons | 110 | |
A Death Song | 112 | |
Jealous | 112 | |
Parted | 113 | |
A Letter | 114 | |
At Candle-Lightin' Time | 116 | |
How Lucy Backslid | 117 | |
Protest | 121 | |
From When Malindy Sings (1903) | ||
When Malindy Sings | 125 | |
The Colored Band | 127 | |
The Memory of Martha | 128 | |
The Tryst | 129 | |
The Boogah Man | 130 | |
Noddin' by de Fire | 131 | |
My Sweet Brown Gal | 133 | |
In the Morning | 134 | |
The Plantation Child's Lullaby | 135 | |
Curiosity | 137 | |
Opportunity | 138 | |
Puttin' the Baby Away | 139 | |
Faith | 140 | |
The Fisher Child's Lullaby | 141 | |
From Lyrics of Love and Laughter (1903) | ||
Joggin' Erlong | 145 | |
In May | 146 | |
Dreams | 146 | |
The Dove | 147 | |
The Valse | 147 | |
Song | 148 | |
Inspiration | 149 | |
When Dey 'Listed Colored Soldiers | 149 | |
Lincoln | 151 | |
To a Captious Critic | 151 | |
The Poet | 152 | |
A Spiritual | 152 | |
W'en I Gits Home | 153 | |
The Unsung Heroes | 154 | |
The Pool | 156 | |
Speakin' at de Cou't House | 156 | |
Black Samson of Brandywine | 158 | |
Douglass | 159 | |
Booker T. Washington | 160 | |
Philosophy | 160 | |
The Debt | 161 | |
By Rugged Ways | 161 | |
To the South | 163 | |
The Haunted Oak | 166 | |
Weltschmertz | 168 | |
Robert Gould Shaw | 169 | |
A Love Song | 170 | |
A Negro Love Song | 171 | |
The Fount of Tears | 172 | |
At the Tavern | 173 | |
From Li'l' Gal (1904) | ||
Li'l' Gal | 177 | |
A Plea | 178 | |
Soliloquy of a Turkey | 178 | |
When Sam'l Sings | 180 | |
From Lyrics of Sunshine and Shadow (1905) | ||
A Boy's Summer Song | 185 | |
The Sand-Man | 186 | |
Johnny Speaks | 186 | |
Scamp | 187 | |
A Christmas Folksong | 188 | |
The Farm Child's Lullaby | 189 | |
Hope | 190 | |
The Awakening | 191 | |
A Musical | 191 | |
Twell de Night Is Pas' | 192 | |
Compensation | 192 | |
Anchored | 193 | |
Yesterday and To-morrow | 193 | |
At Sunset Time | 194 | |
At Loafing-Holt | 195 | |
When a Feller's Itchin' to Be Spanked | 196 | |
A Love Letter | 197 | |
Trouble in de Kitchen | 198 | |
The Quilting | 199 | |
Forever | 199 | |
Parted | 200 | |
Christmas | 200 | |
From Howdy, Honey, Howdy (1905) | ||
"Howdy, Honey, Howdy!" | 205 | |
Encouragement | 205 | |
Twilight | 207 | |
From Joggin' Erlong (1906) | ||
The Capture | 211 | |
Uncollected Poems | ||
Emancipation | 215 | |
Welcome Address | 216 | |
Comrade | 217 | |
Love Is a Star | 219 | |
The Making Up | 219 | |
A Toast to Dayton | 220 | |
Sold A C.H.S. Episode | 220 | |
After the Struggle | 221 | |
The Builder | 221 | |
Lullaby (II) | 222 | |
Index of Titles | 225 | |
Index of First Lines | 231 |
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Add Selected Poems, Paul Laurence Dunbar was the most promising young colored man in nineteenth-century America, according to Frederick Douglass, and subsequently became one of the most controversial. His plantation lyrics, written while he was an elevator boy in Ohio, est, Selected Poems to the inventory that you are selling on WonderClubX
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Add Selected Poems, Paul Laurence Dunbar was the most promising young colored man in nineteenth-century America, according to Frederick Douglass, and subsequently became one of the most controversial. His plantation lyrics, written while he was an elevator boy in Ohio, est, Selected Poems to your collection on WonderClub |